Paradigm

This is from Paradigm in Sharp Hall. Again the camera may move randomly because I was getting specific shots for the live feed.

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“Holly” is a 5 year old double registered AQHA / APHA mare. by Smart lil Paradign( by Smart lil Lena),Out of a Freckles Playboy mare. This mare is ready to go show today.Kelsey Lieurance is riding her in this video.

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See http://equinenow.com/265828
Gorgeous straight egyptian Arabian mare in foal for March 2010 to The Source cc (recently exported to New Zealand). Available for purchase. Inquiries welcome at Sunset Ridge located in Horse Cave, Kentucky. Please call 270-404-5580 or email sunsetridge@scrtc.com

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According to Drs. Kevin Donohue and Jens Hannemann of the University of Kentucky, the phrase selective listening has a whole new meaning. These engineers at the Center for Visualization and Virtual Environments explore new developments in microphone systems that electronically focus on the speech of a single individual in noisy room.

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this is my custom fire bird with 2 10 in kenwood subs

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From the 1984-1985 Tour, recorded at The Summit in Houston, TX.

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Demo of my IR controlled Lutron Spacer lighting in my home theater with 1080p projector and 100″ screen

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which amp do you recommend from this list?

http://www.crutchfield.com/App/Product/CompareTo.aspx?g=347050&cc=01&compareItems=01|099EA4200&compareItems=01|777M4050&compareItems=01|777M4075&compareItems=01|777M4100&compareItems=01|675FRP4004&compareItems=01|500MRPF300&compareItems=01|108R475A&compareItems=01|136J23204&compareItems=01|130GM6400F

I have an eclipse 6 channel receiver

I have Alpine sps 600 coaxes in the rear
(2-80 rms) 240 peak

and infinity kappa 60.9cs components in front
(2-90 rms) (270 peak)

I have a separate monoblock amp for subs.

If the max rms is 80 rms, would it be easy to blow them out if I run an amp that is rated for 70 rmsx4? or is it all ok as long as the rms rating on the amp, per speaker, doesn’t exceed the speaker max rms?
Thanks!
Alex

this is the one i would go with http://www.crutchfield.com/p_108R475A/Infinity-Reference-475a.html?tp=35782

any amp can blow any speaker– its all about the setting at the amp

If you send too much power to your speaker, you risk damaging it. The cone of the speaker and the mechanical parts that make it move may break under the stress. Surprisingly, too little power can also damage your speaker — in fact, it’s actually more common than damage caused by overpowering.
When the volume is turned up and the amp doesn’t have enough power, the signal becomes distorted, or "clipped." This distorted signal can cause parts of the speaker to overheat, warp and melt. Not good!
You don’t have to match speaker and amp wattages exactly. An amp with a higher output than the speaker’s rating won’t necessarily damage the speaker — just turn the amp down a bit if you hear distortion from the sub and don’t run the speaker at extremely loud volumes for lengthy periods. Likewise, you’ll be OK with a lower powered amp if you keep the volume down and don’t feed a distorted signal to the speaker
you will send the amp into clipping
Clipping
Clipping occurs when an amplifier is asked to deliver more current to a speaker than the amp is capable of doing. When an amplifier clips, it literally cuts off the tops and bottoms of the musical waveforms that it’s trying to reproduce, thus the term. This introduces a huge amount of distortion into the output signal. Clipping can be heard as a crunching sound on musical peaks.
that causes distorted sound which will damage your speakers

to maximize clean signal strength from your amp, you need to adjust the gain or input sensitivity settings. Here’s how:
Set the input sensitivity controls of your amplifier to their minimum level (counter clockwise).
Put in a CD and turn the receiver’s volume control up (you might have to raise the amp’s gain just a bit to hear the music).
When you hear distortion, stop. Turn the volume down until it disappears. As much signal as possible is passing from the receiver to the amp. This maximizes the signal-to-noise ratio, and leaves your system less prone to engine noise problems. Keep the volume setting here.
Now turn the gain controls on the amplifier up until it’s as loud as you’ll play it. If you hear distortion, slightly decrease the gain settings.
Now you’ve optimized the amp’s output with the receiver’s volume set near maximum. You can turn the volume almost all the way up and not damage your speakers or amplify distortion.

I would like to get the hardware required for my computer so that I’m able to record different audio inputs (instruments like the base, the guitar, drums, piano, etc) in different tracks. Right now I’m using Audacity (free version) which allows me to record only one instrument at a time through the 1/8" mic input. Is there any other way to connect the audio to achieve a simultaneous multitrack recording?

hello, maybe you can try this one, Audio Recorder,it has a virtual sound card, ita can record many audios at s time, and get 1:1 quality, no loss.
hope it can help you!